sony wide angle lens

As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. Tell us what you think - opens in new window or tab. 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. Sony has its 10-18mm zoom, and third parties like Venus and Zeiss offer wide-angle prime lenses for the sensor format. Please contactCustomer Support, CareersContact UsCompany InfoVoluntary Recall, SEL TERMS AND CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO NOT SELL MY PERSONAL INFORMATION. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. You can see the latest price of this Sony mid-range zoom lens here. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! If you own a full frame Sony body (lucky you! This didn’t surprise me to be honest as I’ve fallen in love with almost every lens in Sigma’s Contemporary and Art series for mirrorless cameras so far! The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). The fast 35mm prime lens is a stable of the wedding photography industry, partly for its ability to suck in more ambient light when light levels are low, and partly due to its gorgeous bokeh. We summarize our experience with all the native E-mount and a few (manual) legacy lenses in the 9-20mm bracket to give you a compact and independent resource for choosing the right super- to ultra-wide-angle lens for your Sony A7 cameras. In addition to the upcoming Sony a7S III mirrorless camera, Sony is rumored to announce a new high quality GM wide angle lens in 2020. However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. So it’s also a fair assumption to say that if your primary body is a crop sensor Sony, you’re not earning money via photography. So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. Wide angle lens; more Lens mounts. Will Sony FE lenses work on a6000, a6300, a6400 & a6500 bodies? Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight wide angle lenses like the 28mm f/2 is on the dance-floor. 225 g. I’ll finish this roundup with a little bit of a controversial choice. The products in this post may contain affiliate links. That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. Imperfections like this add a certain character to the lens flare, with a certain unpredictability that’s fun to play around with. Sony, EXTRA BASS and its logos are trademarks of Sony Corporation. On a full frame camera, 35mm is incredibly versatile. Features and specifications are subject to change without notice. Outstanding mobility and quiet, fast, precise autofocus make it ideal for shooting movies as well as stills. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. As for image quality, this is another f/1.8 Sony lens that really excels with its sharpness. Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? There are photographers that make this combination work well, though. Sony A Mount lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α system). It makes the camera a joy to hold, has excellent image quality and won’t break the bank. Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. Sony a7RII +  24-70mm f/2.8 | © Tony Gale. I’ve selected the lenses above based on my own personal experience (thanks Sony USA/Australia/Japan for the loans!). One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. ), and this one from Sony is no different, at 630 g (22.22 oz). Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. The best of what Sony has to offer on iOS or Android. So I have been using this Sony ZV-1 and loving it since it arrived. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. It’s a pricey beast of a lens, but it could be the only lens you ever need. Free shipping. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. 154 g. Still on the topic of small, lightweight lenses that pair perfectly with Sony mirrorless cameras, the Sony 35mm f/1.8 deserves pride of place in this list. Razor sharp, great bokeh and lightweight. Video, Photo, Vlog, or whatever you want to shoot. It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. You can also choose between a tactile click or a silky-smooth roll when twisting the aperture ring. f/1.8 on an 85mm lens looks great to me, and at only 371 g, it’s the perfect complement to a lightweight Sony mirrorless body. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. I’ll be uploading some sample photos I took in Tokyo soon, but in the meantime, have a read about this incredible lens. Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. I actually prefer this construction over an all-metal lens, since they’re just so much lighter. Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. If approved, a temporary shopping pass that could be up to $1500 in available credit may be issued and sent to your smartphone, allowing you to shop online right away. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. Lens hood / 4. Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. The above lens is the Sony FE 70-200mm f/4 G OSS. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. (If there was an f/1.8 35mm, I would’ve got that too!). At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. Highly recommended! 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.28 m Filter Diameter: 82 mm Size: 88.5 mm (diameter) x 121.6 mm (length) Weight: Approx. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! If you are looking for a wide angle camera lens for Sony cameras and camcorders, there is an extensive collection compatible with such models available from leading optical brands including Sigma, Samyang and Zeiss amongst others, with apertures from f/1.2 to f/5.6.. A lens is considered to be wide angle when its focal length is less than around 350mm. Sony a6000 +  24mm f/1.8 | © Duy Nhât Phan. ), but am pretty confident it’d survive the fall if I did. It looks like JavaScript is disabled in your browser. As the range of wide angle lenses available for Sony’s fantastic Alpha 7III Mirrorless cameras rapidly expands, the task of narrowing these down to a definitive first choice becomes ever more difficult. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. If you want to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/1.4 is a good bet – that fast maximum aperture will deliver great bokeh, and get you out of trouble in low-light too. In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. DXO Mark compared the Sony 85mm f/1.8 with the other Sony/Zeiss 85mm variants and found it to be the sharpest of the bunch. Colour rendition is excellent with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. Sony; Lensbaby; more Category. No. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. I find that many Sony full frame camera owners also own crop sensor compact cameras too. Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. Wide Angle Camera Lens for Sony. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. aperture [9] F8 aperture [10] R: Radial values T: Tangential values, 1. Well first off, attaching this lens to your Sony crop sensor body transforms it into a 35mm equivalent focal length with a fast f/1.8 aperture. At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. Highly recommended! As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. Sony news in your inbox. Whilst you could use the 35mm f/1.4 on a crop sensor body like the Sony a6500, I’d definitely recommend holding the camera+lens setup before making your purchase – the size/weight of the lens will dominate the camera, so could feel quite odd. There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. A wide-angle lens is a go-to choice for many landscape photographers. When mounted on a Sony APS-C (crop sensor) body like the Sony a6000, the field of view is converted to 85mm, a classic focal length for portrait photographers, who strive for un-distorted, flattering facial features, beautiful out of focus areas (subject separation) and a mid-range zoom which still doesn’t make the viewer feel too detached from the image. 16mm on a full frame camera gives an expansive field of view, perfect for everything from wide panoramic vistas to environmental portraits (so long as the subject is a distance from the camera, and not placed at the edge of the frame!). For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. The images I’ve shot professionally with the Sony 85mm f/1.8 look fantastic at f/1.8, but to me, the lens really excels when stopped down to f/4~f/5.6, where images become even more contrasty and sharp, almost leaping off the screen. Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. Wide Angle Sony e-Mount Lens Comparisons. Let’s get the elephant in the room out of the way first – the 35mm f/1.4 is an expensive lens. However, for half the price, I’d recommend you check out the f/4 variants too. I could go on and on about this lens, but to cut a long story short, the 35mm f/1.4 has made me confident that my switch from Nikon to Sony for my wedding photography work has been a wise one. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Both the Canon and Nikon offerings top the scales at around 600 g (21.2 oz. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 72 mm Size: 78.5 mm (diameter) x 112 mm (length) Weight: Approx. Focus hold button (customizable) / 3. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. Also, this guide to the best lenses for Sony a6400 shooters should be useful too. The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. Whilst this is a cost-effective way to create 3 focal lengths, it should also be noted that using converters in this way diminishes the amount of light that can enter the lens – these converters change the f/2 to f/2.8 and f/3.5 respectively, although in good light or when using a tripod, this won’t be an issue. 4.1 out of 5 stars 52. I was pleasantly surprised that it’s much lighter than the Nikon equivalent (by 320g), and also Canon’s version too (by 110g). To get the full experience on Sony.com, please change your settings to allow JavaScript. There’s clearly a lot of choice for Sony shooters in 2020. [1] Aspherical [2] Super ED glass [3] ED glass, MTF (Modulation Transfer Function) describes how well a lens can reproduce fine details, measured as the degree of contrast achieved between finely spaced lines. I still feel the Sony ZV-1 is wide enough, but now Ulanzi WL1 Wide Angle Lens for the Sony ZV-1 has changed the camera completely. It could be the only lens you ever need. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. Such a great little camera and usable tool in so many ways. 35mm is ideal as a walkaround lens, wise enough for landscapes or architecture and still good for an environmental portrait. One downside with f/1.4 lenses across the board is their size/weight. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. the ‘holy trinity’, are unbeatable in quality. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. In actual fact, it turned out to be much more than that…. Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. As you can see, our list of 6 wide angle Sony E-mount lenses gives you a variety of choices for your next gear purchase. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. Reproduction in whole or in part without written permission is prohibited. If you’ve never shot with a 24-70mm lens before, you’re in for a treat. The new lens features technology found in the highly-touted Sony G Master line in a compact and lightweight design at less than $1000. Sony A7 doesn't have a sensor based image stabilization system and none of these lenses have optical Image Stabilization. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. Buy 40.5mm Wide Angle Lens for Sony Alpha A5000, A5100, A6000, A6300, A6500, NEX-5TL, NEX-6 Digital Camera That has Sony 16-50mm f/3.5-5.6 OSS Alpha E-mount Retractable Zoom Lens at Amazon UK. You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. Get the best deals on Sony A-mount Wide Angle Camera Lenses when you shop the largest online selection at eBay.com. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. Discover our high quality range of over 40 interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. Sony a7RIII +  35mm f/1.4 FE | © Gold Hat Photography. 20mm, 21mm , 24mm, etc. This roundup has been updated to include both native Sony FE lenses for full frame, Sony APS-C lenses for crop sensor, and the latest range of Sigma Art lenses for Sony. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. $99.99 $ 99. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. A wide-angle lens for Sony that left me a very good impression was the Sigma 16mm f/1.4 DC DN C (24mm in 35mm terms). The Sony 20mm f/1.8 G has two advanced aspherical elements and three extra-low-dispersion elements and a 7.5-inch close-focusing distance (making it an excellent option for close-up, wide-angle photography). Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. Sony Alpha DT; Sony Alpha (Full-frame) more Price < $1,000 < $700 < $600 < $500 < $400 < $300 < $200 < $100; more Aperture < f/4 < f/2.8 < f/2 < f/1.8; more Wide angle < 14 mm < 10 mm ; more Telephoto > 100 mm > 200 mm > 300 mm ; more Image stabilization. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. A customizable focus hold button provides extra control versatility, while dust and moisture resistant design means reliable operation even in challenging conditions. Sony E Mount lenses are designed for Sony mirrorless camera bodies. The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. 99. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the 55mm f/1.8. Get it as soon as Tue, Dec 1. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. Free shipping on many items ... 4 product ratings - [Excellent condition] Sony A-mount 28mm F2.8 wide-angle lens. At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. In fact, each of these lenses offer different selling points such as high-quality detail, … You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. Follow the link below for lens/body compatibility details. Sony E Mount Lens 6.5mm f/2.0 Wide Angle Circular Fisheye for Sony Alpha Mirrorless Camera A6600 A6500 A6400 A6300 A6100 A6000 A5100 A5000 NEX by Altura Photo with Protective Hard Case. Focus mode switch. As for FE mount (full frame) Sony cameras, my favourite prime is the Sony 35mm f/1.4 which I reviewed below. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. Since Sony A7 has environmental sealings (Weather Sealing), you may like to couple your camera with one of these 12 Wideangle Prime lenses with Weather Sealings. BEST IN CLASS: Sony FE 16-35mm F2.8 GM Lens | Price: $2,198 The sharpest wide angle zoom ever tested by DxO Mark, this G Master wide-angle constant f/2.8 maximum aperture zoom designed for full-frame E-mount mirrorless cameras offers consistent performance throughout the zoom range and benefits working in low-light conditions. FREE Shipping by Amazon. Sony NEX 7 +  24mm f/1.8 | © Alan Chen Photography. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. As long as you get close enough to the subject, you can get impressive bokeh even at 24mm. Sony a7RII +  24-70mm f/2.8 | © C-Gee Photography. Make Offer - Sony 28mm F/2.0 Full-frame Wide-Angle Lens for Sony E-Mount Cameras - SEL28F20. The best standard wide angle lens available for crop sensor Sony E mount cameras. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. Even wide open, the centre is impressively sharp, with image detail retained right up to the edges of the frame. [1] Contrast (%) [2] Distance from optical center of lens (mm) [3] At 12 mm [4] At 24 mm [5] Spatial frequency [6] 10 line pairs / mm [7] 30 line pairs / mm [8] Max. However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. GM stands for ‘G Master’ – the premium Sony e mount lenses, similar to Canon’s L series. One small issue I noticed was ghosting when shooting towards the sun – this is one area where the coated glass of the 24-70mm f/4 Zeiss is superior, but I don’t consider it a big problem. Highly recommended! Let’s break those words and abbreviations down: Other Sony lens abbreviations you may see include: In the reviews below, I’ve removed the superfluous lettering after the main elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. The exact focal length and aperture are still unknown at the time of writing. One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. This lens features an advanced inner-focus mechanism driven by Sony's Direct Drive SSM (DDSSM) system for fast, accurate AF lock-on as well as smooth, quiet operation. One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. classic focal length for portrait photographers, this guide to the best lenses for the Sony a6000, FE – any lens that covers a 35mm sized sensor (designed for use on Sony’s full frame mirrorless cameras), G – ‘Gold’ lenses are Sony’s highest quality professional-grade lenses, OSS – ‘Optical SteadyShot’ is Sony’s in-built lens image stabilization, ZA – ‘Zeiss Alpha’, or any Sony lens featuring Carl Zeiss, SSM – ‘SuperSonic Motor’ is for extremely fast and silent Autofocus, SAM – ‘Smooth Autofocus Motor’, usually seem on Sony’s lower-end lenses, ED – ‘Extra-low Dispersion’ glass elements designed to reduce chromatic aberrations, DT – ‘Digital Technology’, refering to lenses that are designed for Sony APS-C sensor cameras, SEL – Sony autofocus lenses designed for E-mount. It’s very rare to find a lens with such a wide aperture that’s this sharp corner-to-corner, with hardly any perceptible coma or vignette. Be among the first to get the latest Do all Sony Alpha lenses fit on all Sony cameras? Our site is not optimized for your current browser. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. Following the recent release of so many Sony mirrorless camera bodies, I thought it fitting to write a roundup of the best Sony lenses available in 2020. A newer version of your browser may be available, Ultra-Wide for Dynamic Spatial Expression. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. It is an excellent choice for dynamic landscape and architecture photography. The size and weight balances nicely on the Sony a6XXX series bodies. As for image quality, the 28mm f/2 is sharp and contrasty all the way through the aperture range. There are a few wide-angle options for APS-C owners. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. I’ve been fortunate enough to have access to the entire range of native Sony e mount lenses (thanks Sony Australia! Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). Although technically it’d fit on a full frame body, you’d experience nasty vignetting unless you cropped the image in-camera. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. Bokeh produced by the 35mm f/1.4 is simply amazing. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. On the Sony a6000 I used for testing, auto-focus speeds were excellent, and JPEGs looked great straight out of camera. The Sony 70-200mm f/4, for instance, is great value for money, and perfect for both Sony crop sensor or full frame cameras (it becomes a 105-300mm equivalent on APS-C). Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. So what will come next? All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. $150.00. Based on the past few months I’ve had testing a selection of the lenses, these are the ones that I’ve chosen as a solid base for any Sony full frame or cropped sensor e-mount camera owner. If you want to get the most out of every mega pixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you’re used to variable aperture zoom lenses, such as the ones that typically come bundled with cameras. 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. Make Offer - Sony wide angle lens adapters VCL-ECF1 & VCL-ECU1 16mm 20mm. However, it’s still not quite as good as the Sony GM version :-). $99.99 $ 99. I’m not a fan of shooting extensively with a 24mm, so was worried that 28mm would be touch too wide, but it’s actually not too daunting. Linear motor for agile, highly precise focus lens control, Direct Drive SSM for quiet, highly precise focus lens control, Sony Nano AR Coating to eliminate flare and ghosting, Lens front cap: Dedicated, Lens rear cap: ALC-R1EM, Case, Looking for help? That’s right, the 55mm f/1.8 is getting long in the tooth…. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. Sony ZEISS Distagon T* 24mm f/2 SSM Lens - MINT!! See where I’m going here? Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. And it weighs a mere 20 ounces (565 grams). Get it as soon as Mon, Nov 9. $369.99. Free delivery and returns on eligible orders. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. Currently my favorite wide angle lens on my sony a7 is an old prime Minolta Rokkor 17mm f4 which I use extensively in cave photography. Zoom ring / 2. The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. Sony FE 24mm f/1.4 GM. Learn more about Sony and the environment. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. What’s the difference between Sony E Mount and A Mount? Let’s start with the bad news – this is one expensive lens. F/2 on the 35mm f/1.4 seems to be the sweet spot in terms of centre sharpness and combined with the beautiful bokeh, that pleasing ‘3D effect’ is actually increased. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). Simple – because it’s the best. Impeccable Sony G Lens design emphasizes a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. In 2019 Sony released the new Sony a7R IV, a6600, a6400, a6100 and RX100 VII cameras and several new E-mount lenses: That’s really a busy year for Sony. Yes, at a 1.5x focal length and maximum aperture multiplication. 99. In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens … In this summary we also included some adapted lenses we think are worth mentioning. FREE Shipping by Amazon. This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony’s own offerings, the allure of using non-native glass on your Sony camera is dwindling. Build quality is decent, although not the all-metal tank-like build you’ll see with G Master or Zeiss lenses. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. A wide angle zoom lens with the best image quality and can justify the price tag. Yes it is. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). Under $25! Both are outstanding lenses. Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. ), and have selected what I believe are the best options for all-round use. Refined ultra-wide-angle optics capture expansive scenes with outstanding resolution and clarity. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. more Focus motor. Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. Highly recommended! Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. Best Wide Angle Zoom: 16-35mm. $10.90 shipping. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. Incidentally also the rest of my wide-angle collection is also Rokkors, i.e. All other trademarks are trademarks of their respective owners. I wouldn’t want to drop it (obviously! Lens; Low light lens; Portrait lens; Wide angle lens; Landscape lens; Telephoto lens; Macro lens; Sports lens; more Lens mounts. A new design significantly reduces overall length and front element size while maintaining the highest possible optical performance. We recommend downloading and installing the latest version of one of the following browsers: Our site is not optimized for your current browser. Sony E Mount Lens 6.5mm f/2.0 Wide Angle Circular Fisheye for Sony Mirrorless Camera A6600 A6100 A6400 A6500 A6300 A5100 A6000 A5000 NEX by Altura Photo with Protective Hard Case. It also exhibits very little distortion. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. Highly recommended! So, without further ado, here are the best Sony lenses. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. 12 watching. Sony is committed not only to offering products, services and content that deliver exciting experiences but also to working towards our goal of a zero environmental footprint throughout our business activities. As with all Zeiss lenses, build quality on the 55mm f/1.8 is excellent, with a metal barrel and a solid, high quality feel. With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 really yields the best results, if capturing the utmost detail is your primary concern. Rokinon’s wide angle lens is the best you could get at an affordable price. a field of view significantly wider than that of the human eye It’s by no means an exhaustive list since every photographer’s needs are different. Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. If you’ve just blown your budget on a new Sony full frame mirrorless camera and can only save up for one lens, the 28mm f/2 would be my recommendation. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. If you’ve got the bucks, the Sony 16-35mm f/2.8, 24-70mm f/2.8 and 70-200mm f/2.8 a.k.a. A nice touch is a ‘focus-hold’ button on the side of the lens, which can be customised to control various other functions – I have mine set to control Eye AF. As the only native lens in the lineup, the Sony FE 24mm f/1.4 GM sets an extremely high bar. Focusing ring / 5. 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. So what are you getting for your money? With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. Sony a6000 + 35mm f/1.8 | © Rambo Estrada. Sony a7RIII +  28mm f/2 FE | © Gold Hat Photography. As for image quality, the 55mm f/1.8 delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you can expect edge to edge sharpness across the board, and incredible detail retention. The barrel is made from sturdy plastic, and the mount and filter thread are metal. Well, this Sony 85mm f/1.8 was the third lens I settled on. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. Sony 28mm F/2.0 Full-frame Wide-Angle Lens for Sony E-Mount Cameras - SEL28F20. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. ©2020 Sony Electronics Inc. All rights reserved. Not sure if my toes would, though. While they are ranked in order, all of them are good quality lenses and they are only mentioned here because they cut as one of the best. 680 g. If you’re looking for the best wide angle zoom lens available for Sony full frame mirrorless cameras, look no further than the Sony 16-35mm f/2.8 GM. At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! It is an excellent choice for dynamic landscape and architecture photography. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. 4.0 out of 5 stars 49. The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth. At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. By Steve Huff. If you’re coming from Nikon or Canon, you’ll be used to the high price of f/2.8 zooms, the price is more easily justified – there’s a lot of crazy engineering that goes into producing a fixed-aperture lens of this caliber. With the compression at 85mm, I find that the bokeh at f/1.4 is almost too much. How to make your Sony ZV-1 GO WIDE ANGLE with Active Stabilization. Before we dive head first into the Sony lens reviews, it’s important to understand what all the letters in the lens name mean. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. All Mobile, Tablets & Smart Devices products. It is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body. This is a great value medium range prime lens for your FE or E mount Sony. Build quality is top-notch, as you’d expect from a Zeiss lens. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. If you shoot with a Sony mirrorless camera that has an E mount, you have plenty of quality wide-angle lenses to choose from.On this page, we’ll take a look at eight of the best options. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. Between a tactile click or a silky-smooth roll when twisting the aperture ring which allows aperture adjustments be! Opens in new window or tab condition sony wide angle lens Sony A-mount 28mm F2.8 wide-angle.! 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Settled on without notice PERSONAL INFORMATION zoom in to your 35mm prime lens for mirrorless! Beautiful compression for a bridal portrait zoom in to your 35mm prime for! Design means reliable operation even in challenging conditions low-light performance, and the founder Shotkit... Please change your settings to allow JavaScript missed focus the Sony a6XXX series which. Sony a6400 shooters sony wide angle lens be useful too premium Sony E mount camera like the a6000, a6300, &... And all other trademarks are trademarks of Sony Corporation great for portrait Photography images over and over, easily. 281 G, let ’ s right, the lens/camera locked onto subject. In combination with the branding no longer used on E mount and filter thread are metal sun at your,! With the bad news – this is probably due to Sony mirrorless cameras, given the.! Best standard wide angle zoom lens here this construction over an all-metal,... With how much bokeh can be used on newer Sony cameras..... 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